But I, at some point, might believe them. I am for an art that is political-erotical-mystical, that does something other than sit on its ass in a museum. I am for an art that grows up not knowing it is art at all, an art given the chance of having a starting point of zero. I am for an art that embroils itself with the everyday crap and still comes out on top. I am for an art that imitates the human, that is comic, if necessary, or violent, or whatever is necessary. I am for all art that takes its form from the lines of life itself, that twists and extends and accumulates and spits and drips, and is heavy and coarse and blunt and sweet and stupid as life itself.
Standing Mitt with Ball
Claes Oldenburg b. A leading voice of the Pop art movement, Oldenburg came to prominence in the New York art scene of the late s and early s, where he established himself with a series of installations and performances influenced by his surroundings on the Lower East Side. Moving from early environments such as The Street , The Store , and Bedroom Ensemble , Oldenburg then developed a series of soft sculptures, created with the participation with his first wife Patty Mucha.
These took as subjects ordinary, everyday objects, often enlarged, as did a series of fantastic proposals for civic monuments.
You cannot share this event, but you can still post. Horst-Janssen-Museum Oldenburg’s photo. FEB ART Dating – Valentinstags-Spezial. Public · Hosted by.
Judd Foundation has temporarily closed. Learn more. Claes Oldenburg b. Born in Stockholm, Claes Oldenburg moved to Chicago with his family in , where he studied at the Art Institute of Chicago from to He relocated to New York in , where he became a key figure in performance art and Happenings. Out of The Store , Oldenburg sold commonplace objects such as ice cream, cigarettes, hats, and shoes rendered out of chicken wire covered by muslin soaked in plaster, which was then painted.
Oldenburg applied enamel paint straight from the can in individual layers. Items ran from twenty-five dollars to over eight hundred. This store will be constantly supplied with new objects which I will create out of plaster and other materials in the rear half of the place. Judd Foundation site links Judd Foundation has temporarily closed.
The Really Big Art of Claes Oldenburg
An former royal seat in Lower Saxony, Oldenburg has a legacy left by generations of counts, dukes and grand dukes. The tremendous art collections of the Grand Dukes of Oldenburg awaits you across three resplendent properties. The church goes back to the 12th century, but by the end of the 18th century had become dilapidated and was rebuilt in the s and 80s with Brick Neo-Gothic architecture. Because that dark Neo-Gothic facade gives way to a bright, ceremonious Neoclassical rotunda modelled on the Pantheon in Rome, with a glorious circular dome above Ionic columns.
The artistic team of Coosje van Bruggen and Claes Oldenburg has to date Spoonbridge and Cherry (), Minneapolis Sculpture Garden, Walker Art Center.
Trowel II , Donald M. Exhibition catalogue. Home Individual Biographies Top of Page. We feel free to use all the approaches that come naturally to our non-monumental works: variations in scale, similes, transformations, a wide range of materials, and, of course, our use of familiar objects. We want to communicate with the public but on our own terms, even if the images are stereotypical. Our dialogue, which leads to the definition of a project, may take place anywhere, but we usually make decisions in our studio where we are surrounded by objects, models, notes, and drawings from the recent past and present, stimulated, whenever possible, by recollected observations of a site.
We work our way through one image after another in words and sketches, testing them in models that can serve as the starting point of fabrication in large scale. Italo Calvino talks about “a field of analogies, symmetries, confrontations. Working together supposes an almost complete understanding of the other, an impossibility in any case, so instead we choose a unity of opposites, a convergence of our different dynamics, of symmetry and asymmetry, of acceleration or implied speed and stillness, of a polychrome and monochrome palette, gravity and lightness — all interrelating and interchangeable elements to be used by either one of us.
Juxtaposed or superimposed, the components are put together into an image through a dialogue between us that proceeds like a game of Ping-Pong, to and fro, toward its ultimate crystallization, first into a sketch and then into a three-dimensional study or a model, a process of using the senses rather than analysis, in sharp contrast to the rational fabrication phase that follows.
How a small German city became a leading home for new media art
Overall: Oldenburg is known for creating artworks that reinterpret the quotidian objects that make up our everyday lives in a variety of sizes and materials, whether they are truly banal, bizarre, or curiously appealing. The information about this object, including provenance information, is based on historic information and may not be currently accurate or complete.
Research on objects is an ongoing process, but the information about this object may not reflect the most current information available to CMA. If you notice a mistake or have additional information about this object, please email collectionsdata clevelandart.
Claes Oldenburg. Artist. Claes Oldenburg 3. Type. Sculpture Date Born in Stockholm, Claes Oldenburg moved to Chicago with his family in , where.
Inhaltlich verantwortlich: Prof. E-Mail: jorge. Zum Zeitpunkt der Verlinkung war der Inhalt frei von illegalen Inhalten. Information to be provided where personal data are collected from the data subject Art. The collected data will be stored until The official end date of the project is Therefore, the collected data must be stored longer.
An exact date has not yet been set, as the exact duration of the delay is not known at present. The coordinators of the project are reviewing the need to store the collected data in time and before the start of the extension.
Oral history interview with Claes Oldenburg, 1965 Feb. 19
Taking as his muse forms from everyday life–toilets, musical instruments, food, appliances–Oldenburg transforms the small and insignificant into the huge and monumental. The visual equivalent of a conspiratorial elbow in the ribs, it is very viewer-friendly work. He has also completed 26 large-scale public sculptures in collaboration with his wife of 18 years, Dutch art historian Coosje van Bruggen.
The elder of two sons born to a Swedish consular official, Oldenburg lived in Sweden until he was 7, when the family settled in Chicago. It had more to do with the fact that my interests were different from the interests of most boys I knew.
Pick your preferred language. We speak English and 43 other languages. Check for travel restrictions. Travel might only be permitted for certain purposes, and touristic travel in particular may not be allowed. Read more. Excellent location — rated 9. Enter dates to get started.
Category:Apple Core (Claes Oldenburg)
A small rural city of , residents founded on agricultural industries, Oldenburg is a historically conservative place, infamous for being the first German region to vote the National Socialists into parliament in That traditional atmosphere has changed greatly since the s, due in part to the founding of the Carl von Ossietzky University, and Oldenburg has become quite a liberal and culturally lively place in recent decades.
Russ was a woman with a strong vision for the new museum, one that came with a number of requirements.
A leading voice of the Pop art movement, Oldenburg came to prominence in the New York art scene of the late s and early s, where he established.
Format : Originally recorded on 1 sound tape reel. Reformatted in as 1 digital wav file. Duration is 57 min. Summary : An interview of Claes Oldenburg conducted Feb. Oldenburg speaks of recording his dreams; studying at the Art Institute of Chicago and Yale; his interest in writing and poetry; participating in and creating his own “Happenings;” working at the Cooper Union Museum Library; influences of Abstract Expressionism on his work; meaning behind his work and the procedure for creating it; his role as an artist “outside” many artist groups.
These interviews are part of the Archives of American Art Oral History Program, started in to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others. The following oral history transcript is the result of a tape-recorded interview with Claes Oldenburg on February The reader should bear in mind that he or she is reading a transcript of spoken, rather than written, prose.